Though I have always been a fan of strange and eclectic fiction – which usually gets put under the general headers of ‘sci-fi’ and ‘fantasy’, Luna: New Moon by Ian McDonald was my first full-blooded space adventure, and I have to say, I was pleasantly surprised. Occasionally, the language was confusing and challenging, but being a English and Drama student, I don’t know much about the science behind the book’s ideas. I mean, I would believe anything McDonald wrote about the way humans have managed to colonise and live on the moon – I have to remind myself it’s still fiction .
Being a prolific reader venturing into a new genre, one thing I noticed about myself is that I don’t really care about the setting of a book. I think setting can enhance a story, but the reason I didn’t blanch at the heavy-duty space jargon was the fact that in it’s core, Luna: New Moon is a book about people. What enthrals and captivates us about books are their characters and their plots- if these things are clever, well developed and interesting, everything else is just a bonus; this theory, I think, perfectly incapsulates Luna: New Moon. (As well as the fact that I was both terrified and intrigued by the book’s constant reminder that the Moon could kill you very, very easily. Just take the first two sentences of the blurb: “The Moon wants to kill you. She has a thousand ways to do it.”)
Luna: New Moon follows the interlinked stories of various individuals surrounding and involving the Corta family. The Cortas are one of the ‘Five Dragons’; five families/corporations that live in delicate balance with the others, controling all of the resources and industries on the Moon. (The Corta family’s wealth and power come from mining Helium-3 to fuel the Earth’s energy needs.) Everything on the Moon – even the air in your lungs – has a price; when you die, your parts are recycled. Nothing is wasted, nothing is squandered. But human nature – our desires, needs and wants – are still strong within the individuals living on the Moon, most of whom have been there so long that they can’t physically return to Earth.
I’m not the first person to notice that Luna: New Moon is similar in it’s politics and family feuds to George R. R. Martin’s A Song of Ice and Fire series (Game of Thrones, for the show-watchers), and it’s very true. The difficult, complex web of who-controls-what and who-wants-control feel very similar, except with the huge difference that Luna is set in space, adding an entirely new level of danger. Family is everything to the Five Dragons, but with shifting alliances and an almost-assassination, you can’t trust anyone – and then things start to get really interesting.
Two of my favourite surprises in this book included McDonald’s easy use of characters who were genderless (and have their own pronoun!) and a main character who is autosexual. Having never read a book with either of these preferences in them, it took me a while to get my head around it before I realised: why the hell not? It makes perfect sense, given that the book is set so far in the future. Even if it wasn’t, I feel like more authors should be writing about different forms of sexuality and gender as we become more aware of these things as personal choice rather than trusting ‘traditional’ binaries.
Overall, Luna: New Moon is an eye-opener, in more ways than one. Ian McDonald has created a well-paced, rounded, gritty story packed full of well developed, interesting characters. There is real danger at every turn, and you never know what might happen next. The sequel, Luna: Wolf Moon, came out on September 27th. You can be guaranteed it’s a sequel I’ll be getting my hands on. Verdict: 8/10.