(disclaimer: the poster with this review is ©Marvel Entertainment and does not belong to me)
Well, this one certainly wasn’t what I was expecting – and for that, I’m very pleased. Logan is in some ways a remarkably different film from what we have seen of other X-Men films as well as the Wolverine’s other spin-off movies. In a way, Logan has it’s own mark, and should stand alone as a cinematic experience of its own without any ties to the films that have come before it.
One of the reasons for this is because throughout the film, Logan gives allusions to past events in the X-Men universe that we as audience members (and X-Men fans who have seen all the other films, like myself) have not seen or even heard of before. Another big reason, I found, was because of all the swearing. Never before have we heard our favourite animalistic rage-machine swear at the top of his lungs, but Logan was swimming with cusses. Part of me believes this is down to the success of Deadpool, showing Marvel that adults love those comic books too, and films can be made for them instead of staying so ‘child friendly’. The language seemed a little over the top at the beginning of the film (it smacks you in the face as one of the first lines) but I reckon this was because the writers just got excited. As the movie goes on and you begin to settle into it, the swearing becomes a natural part of the plot and separates Logan from the rest of the child-friendly, Wolverine franchise. Which, in a way, is no bad thing.
The writing and storyline are good, if a little cliche in parts when dealing with the ‘creation’ of mutants (haven’t we seen this before?) but overall the film was a great cinematic experience, darker, dirtier and more bloody – but it showed the much more personal, human side to Logan and Professor X that we haven’t necessarily seen before. Given Logan’s ending, I’m not sure what any of this means for the X-Men universe as we know it, and as I have grown up with it.
In a way, with the film standing so gracefully on it’s own, I figure it’s best to leave it at that. However, through out the film there were also a few homages to Wolverine’s other spin offs; for instance, the samurai sword that hangs in Logan’s room, hinting at his trip to Japan. This was only one of several “easter eggs” through out the film as well – we also get to see Wolverine comic books, a Wolverine action figure, and a fair bit of muttered back story.
Logan was, and it did come as a surprise, a very heartfelt and human film at it’s core; it still maintained the action and ferocity we expect from Wolverine as a character, and thought I knew it was his final stint, I will miss Hugh Jackman in the role. I wonder if now, after so many years and films, the character will be left alone for the future X-Men films. All we can do is wait and see, but I personally hope so.
Though it made it clear that this was Hugh Jackman’s final Wolverine film, it was still sad to see him go. Logan was a touching, vibrant, well written film with the right balance of humour, tenderness, aggression and quick, sharp wit. What a send off to have been given. Verdict: 9/10.